Sculpture portraits of Roman imperial were very accurate and
faithful portraits of individuals. Roman patrons in the republican period
admired realistic portraits, and sculptors delivered leader as the power of
person or symbol of spiritual power. For example, “Head of a Man (known as
Brutus)” conveys strong, broad face with its heavy brows, firmly set lips, and
wide open eyes. Lucius Junius Brutus was a founder and first consul of the
Roman Republic. The sculpture represents very strong characteristics of him and
great strength of purpose as the ancient hero. Furthermore, Roman artists of the
Augustan age created a new style, a Roman form of idealism. The sculpture
represented idealization of a specific ruler and imperial portraiture for
propaganda. The sculpture, “Augustus of Primaporta” also illustrates the
historical idealistic individual portrait. Augustus was a vigorous young ruler
so he’s depicted as the image of muscular warrior figure like Greek idealistic
sculpture as. However, I think that the
sculpture, ”Commodus as Hercules” conveys twisted silly leader feature. In this
sculpture he took off the dress of a Roman emperor and took to wearing a lion
skin over his head and carrying the club in his right hand and the golden
apples in his left hand. And two cornucopiae are full of fruit hold up the bust. As the supposed
reincarnation of Hecules and the incarnation of the god Jupiter, he even
appeared in the arena to display his physical ability. But no painting in this
eye and it also makes weak as well. I guess he wanted to hide his weakness and
appear powerful and strength by using the sculpture. On the other hand, the
portrait head of Caracalla looks stern and fierce man by using fine lines and contrast
of the light. I feel like this sculpture is more strong and powerful than
Commodus one. I guess that detail of the Caracalla’s eyes and face makes
powerful ruler. Even it shows his wrinkles on his face and mustache. Unlike the
Commodus one, Caracalla bust has only face part. But I only can feel the
powerful and virile things in the Caracalla’s bust. In the Commodus bust, I cannot
feel the powerful and virile through his face but lion skin helps it. But the
Commodus one looks more luxurious.
Sculpture
was a powerful source of political
propaganda that generations of rulers used. They modelled themselves in
stone, the bringers of peace and prosperity, and later even in the image of
gods. The sculptures are also used to commemorate specific events and to remind
the people of their Emperor’s military skills. I think that both of
sculptures show the rules’ ability and character through their appearance. The
sculpture of Commodus and Caracalla looks different but both of them are
similar in portray propaganda. Commodus wanted to show as a God with wearing
lion skin by showing powerful ruler. Also, the sculpture of Caracalla shows
that powerful hard worker ruler. The sculptures appear their character and ability about lead
as well. I guess that their looking might help them as a tool of political
propaganda.
Your post was really well written and thoughtful. You had a good amount of facts and ideas supporting your topic. I found the idea that sculpture had such a strong impact on politics to be interesting, and that they would model themselves to stand for peace and prosperity.
ReplyDeleteWell put together in how you sought how the two were made in good detail during the beginning of your blog instead of just going into what the two meant. Though it was put together I don’t see the silliness in Commodus as Hurcules as I thought it was the better of the two. I believed Commodus was too fierce and just was used to put fear into others. It was well put together in what you had posted in why sculptures were well renown in the Roman era to be very straight forward in their leader to what they were capable of, or at least that’s what it seems like. They were very well made to show their purpose in their message.
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