I am going to compare with Karomama in ancient Egypt art that from c. 945-715 BCE and Woman or Goddess with Snakes in ancient
Aegean art that from c. 1700-1550 BCE. Basically it looked similar when we just
take a glance it but it is totally different when we look through from basic
material to meaning of these statues.
The “Karomama”, which is on page 78, is based on Queen
Karomama in Egyptian queen who married to Osorkon II. This statue is depicted in a walking pose, shaking sistra which were used for
ritual rattle but it is missing now. Karomama is barefoot, walking
forward on the base, her arms outstretched to shake the sistrums. She is clad
in a close-fitting, pleated dress with wide sleeves. It reaches to mid-calf and
is encircled by the feathered wings of a vulture, which wrap around her thighs.
A short wig frames her face. The coiled
uraeus emerges from the modius, a small cap that originally held a crown. A
lavish, jeweled collar extends from the top of her shoulders to her bust. The
slender proportions of the figure embody a charming femininity. The face,
however, has a severe expression, with inlaid eyes, aquiline noise, and small,
delicately shaped mouth. This work represents Karomama in her role as Divine
Adoratrice. Also, the statue was created
with the lost-wax bronze casting process and features complicated metal inlays.
These created colorful effects, although some are now missing. Gold leaf was
also used to highlight different sections of the body, such as the wig with
finely incised curls. A magnificent eight-tiered collar remains; it includes
alternating rows of geometric and plant designs: rosettes, lotus petals,
checkerboards, and spirals.
The “Woman or Goddess with Snakes is intriguing both as a
ritual object and as a work of art” is according to page on 87. It looks like
bare-breasted, arms extended, her leopard cap has been said to be symbol of
royalty; regardless, and brandishing a snake in each hand, the woman is
commanding presence. Also she is wearing a fitted dress and open bodice with an
apron over a typically Minoan flounced skirt.
This figurine of a woman holding a snake in each hand found during
excavation of Minoan archaeological sites in Crete dating from approximately
1600 BCE. It seems that the two elegant idols found in Knossos represented goddesses
and by implication, the term 'snake goddess' also describes the chthonic deity
depicted. This figure was found with other ceremonial objects in a pit in one
of Knossos’s storerooms. Also, this figure made of wood, ivory, precious
metals, stone, and faience which is colorfully glazed fine ceramic. One of the
prime pieces of evidence in support of the view that women dominated Minoan
culture is this figure. Prehistoric religion centered on a dominant goddess of
fertility whose young male consort's annual death and rebirth symbolized the
decay and regrowth of vegetation.
Because of difference of culture between ancient Egypt and
Aegean, it should be different in art work. Even though these beautiful works
are made in different period and different materials, both works are very
attractive pieces. I really liked that existing women power in ancient period
through statues.